Aa Ammayi Gurinchi Meeku Cheppali Movie Audit: Deep plot of this movie is distracted by flawed portrayal of power

  Film survey of Aa Ammayi Gurinchi Meeku Cheppali

Name: Aa Ammayi Gurinchi Meeku Cheppali

Project: Sudheer Babu, Krithi Shetty and others

Chief: Mohana Krishna Indraganti

Rating: 2.5

There are many fictional events that drive the narrative of this film. In any case, in case we don't say anything negative about such useful accidents, it is on the basis that the story definitely suggests that destiny is the basis of everything that takes place in the existence of the Naveens (Sudheer Babu, as the film's producer), Dr. Alekhya (a specialist who took up acting after a strong development) and people from the last resort.

Naveen embarks on the shooting of a blockbuster film, where the central figure is a perfect princess. He inadvertently runs over a glamorous, enthusiastic lady (Krithi Shetty) in an abandoned showreel. He realizes that he has tracked down his princess. Still, the lady in question isn't ready to transform into his dream, as her reality is a far cry from the film's presumably fake, gritty universe. More than Alekhya, her people hate the entertainment world and mock it as humans.

Anyway, things work out for Naveen who eventually ropes in Alekhya after the big reveal. However, it won't be smooth sailing as the two have one more hurdle to overcome.

This second part of Indraganti's film set of three (no awards for speculating that 'Sammohanam' was the first) is too impressive and shallow for its base material. The main shows simply do not tug at your heartstrings in any way, while the profit is well written. The development of science between the Naveens and Alekhya is also arbitrary. In their very first scene together, Last Chance acts like she's on her second or third date with Naveen. In addition, one wonders why a rich and sought-after producer does not have the foggiest idea how to move towards a lady with an acting offer.

Despite the fact that the film is not as unfortunate as it should be, it is for the reason that the main entertainers do not look casual. There isn't even a hint of distress in them in a ton of scenes.

Sudheer Babu's organization of pieces is self-centered in the main half. Naveen is a star boss who behaves like a film legend given his somewhat affected off-screen disposition. Indraganti, who is clearly one of the most sensible overseers of Telugu cinema, rocks it here. The film, while going all around the usual distractions in mindless films, winds back precisely to the sloppy components. You attack how champions in commercial films are delivered without brains and then go on to say that Alekhya has a soft spot for Naveen on the basis that an off line from one of his past films affected the youngster. What is so clever about a lady producer according to a line in his generally stupid film and not according to his liberal gift of wholesome confidence?

In the event that such problems are left out, the film fills in as a plot. The span reveals something that no one will see. The final act is another comfortably scratchy stretch, despite the fact that you'd love Murali Sharma instead of Srikanth Iyengar (who plays Alekhya's dad).

Themes such as overcoming the pains of responsibility, self-cultivation, living out one's fantasy, and discovering a true sense of harmony in demanding shows are muted by more people under the usual scenes.